This article presents a novel defense of Sartrean ethics based on the concept of interpersonal recognition. The immediate post-war texts Anti-Semite and Jew, What is Literature? and Notebooks for an Ethics express Sartre's inchoate yet ultimately defensible view of obligations to others. Such obligations are not best understood as Kantian duties, but rather as Hegelian obligations of mutual recognition. The emerging portrait of Sartrean ethics offers a strong reply to the classical criticism that authenticity would license vicious lifestyles like serial (...) killing. In addition to acting with clarity and responsibility, existentially authentic individuals must respect others. (shrink)

This article presents a novel defense of Sartrean ethics based on the concept of interpersonal recognition. The immediate post-war texts Anti-Semite and Jew, What is Literature? and Notebooks for an Ethics express Sartre's inchoate yet ultimately defensible view of obligations to others. Such obligations are not best understood as Kantian duties, but rather as Hegelian obligations of mutual recognition. The emerging portrait of Sartrean ethics offers a strong reply to the classical criticism that authenticity would license vicious lifestyles like serial (...) killing. In addition to acting with clarity and responsibility, existentially authentic individuals must respect others. (shrink)

This book recasts Sartrean existentialism through Caribbean philosophies and the broader philosophies of the Global South. Each author's contribution embodies an aspect of creolizing thinking, understood as the articulation of cultural and conceptual hybridity under conditions of eurocentrism, epistemic colonialism, and the legacies of slavery.

This book argues that whiteness is not only a visual orientation; it is a way of hearing. Inspired by the understandings of race and whiteness in the existential writings of Fanon, Beauvoir, Sartre, W.E.B. Du Bois, and Angela Davis, this book introduces students to the notion of the white sonic gaze.

Phenomenology, a philosophical movement that takes the firsthand, conscious experience of individuals as its focal point, is a philosophy of the mundane: it reveals ordinary, everyday experience. What makes The Good Place phenomenological is its attention to the banality of space. The appeal to depth is a mainstay of philosophical thinking. Shallowness has been understood as a fault, failure, and deficiency in aesthetics, epistemology, and ethics. The portrayal of Chidi as the philosopher who is unable to commit is the driving (...) comedic force in The Good Place. Ethics turns out to be about the messy details of life more than about the universal truths of humankind. The Good Place uses the postmodern strategy of gazing at surfaces to articulate a critique of philosophy. It is effective as a piece of “serious” art precisely because it offers an effective critique of moral seriousness. (shrink)